Article By Jami Gold

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Apple on books with text: Deepen Your Craft with Resident Writing Coach Jami Gold (at Writers Helping Writers)

It’s time for another one of my guest posts over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site. As one of their Resident Writing Coaches, I’ve previously shared:

With this turn for another coaching article at WHW, I’m exploring the use (and misuse) of story tropes in our writing. Most advice tells us to avoid the use of tropes, but is that really the best idea — or even possible? Let’s take a look…

Can We Avoid Tropes?

Tropes—common themes or story devices—are often derided by people for being cliché or predictable. Many see them as lazy storytelling. I don’t disagree. Tropes can be all of those things.

But just because they can be misused doesn’t mean that it’s impossible to use them well. I figure it’s best to learn how to use them properly because trying to avoid all tropes is probably downright impossible.

I was reminded of this fact when frequent commenter here Sieran Lane tagged me in a Facebook post that compared stories containing tropes to the way trees contain wood. *grin*

Image: Tweet from user She Who Thirsts (@MattyFranklyn) 
Text:
The problem with stuff like CinemaSins and TV Tropes is that some people are now actively complaining about stories literally just having tropes in them, which is a bit like complaining that a tree is made of wood.

Every Option Is a Trope

The use of tropes in our stories is like a cookie recipe, where there are limited options for some of the ingredients. If we don’t want to make a recipe that includes eggs, then we still need to include something to bind the other ingredients together. In the same way, our stories will include certain types of elements, just because that’s necessary for our story genre or premise.

For example, if our story includes a big life-and-death showdown against the villains, do our heroes manage to defeat the bad guys without any of them dying? That’s one trope. Or does one of our heroes sacrifice themselves to help vanquish the bad guys? That’s another trope.

As Sieran mentioned on Facebook: “Friends who become lovers is a trope. Enemies who become lovers is a trope. People with mixed feelings towards each other who become lovers is also a trope.” As one of the building blocks of storytelling, tropes usually can’t be avoided.

4 Ways to Surprise Readers with Tropes

Instead of pointlessly trying to avoid tropes, it’s better to learn how to use them well. Great, what does that mean?

Our first thought might be to make a trope fresh and less predictable by giving it a surprising twist. That’s a good instinct—but how do we do that?

Trope Twist #1: Go Deeper

We can explore what the implications or consequences of a trope really mean. Treat the trope as realistically and/or non-superficially as possible.

For example, the movie Frozen exposed the idea of “love at first sight,” playing with the audience’s expectations of how fairy tales often include the trope. Then it added the twist of showing—somewhat realistically—how Anna didn’t know who Hans really was because they’d just met.

Trope Twist #2: Defy Stereotypes

Think about the stereotypes of a trope—and then defy those expectations. A trope can include the usual set up but include unusual ingredients.

Every story includes tropes, but here are 4 ways to give them a unique twist… Click To Tweet

For example, some romances include a bad-boy/good-girl trope. We could instead do a gender flip, or make our intimidating, leather-wearing hero a good boy.

(Confession: While typing this example, I realized I’ve used this technique in my stories, like how Ironclad Devotion gender flips with a tattooed, motorcycle-riding “bad girl” heroine and a good-ol’-cowboy hero. *grin*)

Trope Twist #3: Include Misleading Hints

We can use readers’ knowledge and expectations of a trope against them. If we include a trope and follow the formula all the way through, readers won’t be prepared for a last-minute twist, such as a reveal that shows how things aren’t what they seemed.

For example, we could set up a trope of a character being special, like a “chosen one.” With enough hints toward that trope, readers will expect us to fully reveal the character’s important role at the end of the story. Instead, we could reveal that something else was going on all along and those hints were actually leading to a different conclusion.

Trope Twist #4: Add a Measure of Self-Awareness

Sometimes we can get away with clichés by calling more attention to them.Hanging a lampshade” on an element gives a wink-wink-nudge-nudge to readers and tells them: We know what this looks like, but trust us, it’s there for a reason.

For example, a contemporary romance story that includes an “arranged marriage” trope might be hard for readers to accept…unless the characters make the same sort of observations as readers would, such as pointing out how it’s like something out of a historical romance novel. In other words, the characters can be somewhat familiar with the trope and comment on the situation in that light.

Writers Helping Writers: Resident Writing Coach Program

Story Tropes: To Avoid or Not to Avoid?

Rather than beating our heads against our keyboards with the impossible goal of trying to avoid tropes, let’s instead take a broader view. Come join me at WHW above, where I’m sharing:

  • why the usual advice says to avoid tropes
  • the risks of misusing tropes
  • some of the signs of misusing tropes
  • why using tropes well can actually help our story
  • additional ways we can improve our use of tropes

Have you seen advice to avoid tropes? Do you agree or disagree with my point about not being able to avoid them? Can you think of other ways to twist a trope? (My WHW posts are limited in word count, but I’m happy to go deeper here if anyone wants more info. *smile*)

Originally Posted on December 8, 2020
Categories: Writing Stuff

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