What does it mean to take a different approach to conflict? And how can that understanding help us keep readers engaged in our story?

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Storytelling Conflict: A Broader View

If our sentences don’t have a good flow from one to the next, our writing can feel choppy. But what causes choppy writing and how can we fix it?

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Sentence Flow: Fixing Choppy Writing

Last time, we discussed how to introduce our characters. Now, here are 4 tips for ensuring we’re giving readers the right impressions of our characters.

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4 Tips for Creating the Right Impression of Our Characters

Third-person POV ranges from the most distant to the deepest perspectives, so how can we tell where our story falls on the POV spectrum to avoid problems?

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Is Our Story’s Point of View Really What We Think It Is?

For dialogue attribution, action beats are more flexible than dialogue tags for our writing, adding details to our story and immersing readers in the scene.

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How to Improve Our Story with Action Beats

To get from our opening pages to the rest of our story, can an Inciting Incident story beat help us? How is that beat different from the First Plot Point?

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What’s the Difference Between an Inciting Incident and a First Plot Point?

Of the many confusing words in the writing world, the worst might be the terms “scenes and sequels.” What’s the purpose of sequels and how do we write them?

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How Do We Use Sequels with Our Scenes?

Some verb tenses can cause confusion with passive voice. What is passive voice, and how can we tell when the word “was” is not a sign of passive voice?

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Active vs. Passive Voice: Was and Not Was