As writers and readers, literacy feels normal, but not everyone we encounter possesses those skills. How can we give others the same benefits?
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In gearing up for the release of Pure Sacrifice, one frustrating experience was beyond my control. I’ve mentioned before that we should avoid assumptions about our characters, so I waited until I heard a voice that resonated and knew my paranormal character for this book wouldn’t be white skinned. Great! Except…
Every month or so, there’s an author or blogger or journalist making news by putting romance stories down. “They give women unrealistic expectations!” they say. Right. Are they unrealistic because romances end with love and a Happily Ever After? Or do the naysayers think true love isn’t possible or that it isn’t powerful enough to conquer and overcome obstacles? That’s just sad.
Last time, I mentioned how stories—the good ones anyway—avoid the boring parts of the journey by jumping into the action. Today’s post continues that “skip to the good parts” theme to talk about settings. Setting is the sense of time, place, and mood within a story. Descriptions create a world within the mind of a
